Some Artists at the Fair by Millet, Gibson, Low, Mitchell, and Smith

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Some Artists at the Fair by Millet, Gibson, Low, Mitchell, and Smith

(4 User reviews) 896

By Mia Thompson Posted on Mar 18, 2026

In Category - Adventure Classics

Authors: Smith, Francis Hopkinson, 1838-1915 Published By : Smith, Francis Hopkinson, 1838-1915

Book Language: English

Hey, have you heard of this old book about artists? It's called 'Some Artists at the Fair,' and it's not what you'd expect. It's not a dry art history lesson. It's a series of short stories and sketches from the 1893 World's Fair in Chicago, written by Francis Hopkinson Smith, who was actually there. The 'conflict' is quiet but fascinating: it's about real, working artists trying to make a living and find meaning in their work, surrounded by this overwhelming spectacle of industrial progress and crowds. They're not famous geniuses on pedestals; they're people worrying about money, dealing with difficult clients, and trying to capture beauty in the middle of all that noise. Smith follows a few of them—painters, illustrators, sculptors—as they navigate the fairgrounds. It’s a behind-the-scenes look at the creative hustle during one of America's biggest events. If you've ever wondered what it was really like for artists back then, this is a charming, human-scale peek into their world.

File: Some Artists at the Fair by Millet, Gibson, Low, Mitchell, and Smith

Published in 1895, Some Artists at the Fair is Francis Hopkinson Smith's affectionate and observant look at the creative community that orbited the colossal World's Columbian Exposition in Chicago. Smith, a successful engineer, painter, and writer himself, had a foot in both the practical and artistic worlds, giving him a unique perspective.

The Story

Don't go in expecting a single, driving plot. Think of it more like having coffee with a wonderfully chatty friend who knew everyone. Smith introduces us to a handful of artists—based on real figures like painters John Singer Sargent and Walter Shirlaw, illustrator Charles Dana Gibson, and sculptor Augustus Saint-Gaudens—though he uses fictional names. We follow their daily routines: setting up studios in the fair's temporary buildings, negotiating prices for portraits of wealthy visitors, sketching the exotic exhibits and crowds, and grappling with the sheer scale of the "White City." The "story" is in these small moments: an artist trying to paint a serene landscape while a noisy steam engine puffs nearby, or the quiet camaraderie of creators sharing a meal after a long day. The fair itself is the main character—a dazzling, sometimes exhausting backdrop of human achievement against which these individuals practice their timeless craft.

Why You Should Read It

What I love most about this book is how immediate it feels. Smith isn't writing from a distance; he was in the thick of it. You get the grit and sawdust behind the fair's gleaming plaster facades. His portraits of the artists are warm and witty—they're portrayed as skilled professionals, not tortured souls. He captures their pride, their frustrations with fussy patrons, and their dry humor. The book beautifully explores a tension we still understand today: the struggle to make meaningful art in a world obsessed with commerce and spectacle. It’s a celebration of the working artist, long before the term "starving artist" became a cliché.

Final Verdict

This is a perfect little find for readers who enjoy historical slice-of-life stories and behind-the-scenes glimpses. If you're fascinated by the Gilded Age, the World's Fairs, or the history of American art, you'll get a fresh, ground-level view here. It's also great for anyone who just likes well-written, observational prose about interesting people in a remarkable setting. It’s not a thriller, but a calm, insightful stroll through a lost moment in time, guided by a sharp and sympathetic observer. A real treat for the curious reader.